Many of my formal experiments during grad school related to digital archives, sampling, and collage. By mining networks for 3D digital artifacts, and running those files through systems for procedural 3D collage, I found ways to generate rapidly singular and particular objects.

These experiments were always aimed at accelerating formal variation-- with a goal of generating products that are at once familiar and mysterious. Learn more by reading my MFA thesis project, Toward Post-Industrial Product Semantics.